Fledermaus
Man-about-town Eisenstein is supposed to report to jail,
his wife Rosalinde will stay home for the night and their
maid Adele needs to visit a sick aunt. Yet all three turn
up in disguise at Count Orlofsky’s masked ball. Mistaken
identities and heavy flirting lead to a night of hilarity.
Famous for his “The Blue Danube” waltz, Fledermaus is Johann Strauss’s most popular opera. Best-known for its tunefulness, upbeat musicality and Viennese lilt, the story has hilarious twists and turns, with disguises, double crossings and rivers of champagne.
Fledermaus showcases outstanding Irish vocal talent with sopranos Jade Phoenix and Sarah Shine as Rosalinde and her maid Adele, and mezzo-soprano Sharon Carty as Prince Orlofsky. American tenor Alex McKissick sings Eisenstein and baritone Ben McAteer (Don Pasquale 2023) is Dr Falke. The ensemble cast also includes soprano Megan O'Neill and tenors Aaron O'Hare and William Pearson. Fledermaus is conducted by Richard Peirson and directed Davey Kelleher, with set design by Paul O'Mahony, costume design by Catherine Fay and lighting design by Sinead McKenna and choreography by Stephanie Dufresne.
Running time is 2 hours 30 mins including one interval.
Sung in English.
Join the conversation with #INOFledermaus.
“Jade Phoenix captured (...) vulnerability and her complete non-understanding of what was happening around her superbly.” - Operawire
“Sarah Shine shows an incredible ease in the scenic play and a rock-solid vocal agility, crowned by sparkling highs” - Bachtrack
Cast & Creative Team
Cast
| Jade Phoenix | Rosalinde |
| Sarah Shine | Adele |
| Alex McKissick | Gabriel von Eisenstein |
| Aaron O'Hare | Alfred |
| William Pearson | Dr Blind |
| Ben McAteer | Dr Falke |
| Sharon Carty | Prince Orlofsky |
| Megan O'Neill | Ida |
| Seán Boylan | Frank |
| Ben Escorcio | Frosch / Ensemble |
| Leanne Fitzgerald | Ensemble |
| Sarah Kilcoyne | Ensemble |
| David Kennedy | Ensemble |
Creative Team
| Richard Peirson | Conductor |
| Davey Kelleher | Director |
| Richard Peirson | Arranger |
| Paul O'Mahony | Set Design |
| Catherine Fay | Costume Design |
| Sinead McKenna | Lighting Design |
| Stephanie Dufresne | Movement Director |
| Richard Peirson | Répétiteur |
| Grace Morgan | Assistant Director |
| Ronan Duffy | Assistant Set Designer |

Jade Phoenix
Soprano
This Season
MARS, The Cunning Little Vixen
Sarah Shine
Soprano
This Season
Fledermaus
Alex McKissick
Tenor
This Season
Fledermaus
Aaron O'Hare
Tenor
This Season
Fledermaus
William Pearson
Tenor
This Season
Fledermaus
Ben McAteer
Baritone
This Season
Fledermaus
Sharon Carty
Mezzo-Soprano
This Season
Fledermaus
Megan O'Neill
Soprano
This Season
Fledermaus
Ben Escorcio
Tenor
This Season
Fledermaus
Richard Peirson
Arranger and Répétiteur
This Season
Fledermaus
Davey Kelleher
Director
This Season
Fledermaus
Paul O'Mahony
Set Design
This Season
Fledermaus
Catherine Fay
Costume Designer
This Season
MARS, Madama Butterfly
Sinéad McKenna
Lighting Designer
This Season
Fledermaus
Stephanie Dufresne
Choreographer
This Season
Fledermaus, The Flying Dutchman
Grace Morgan
Director
This Season
The Bartered Bride, The Cunning Little Vixen, Rusalka, Norma
Ronan Duffy
Designer
This Season
FledermausSynopsis
ACT I
Gabriel von Eisenstein is a philandering man-about-town, facing a short prison sentence for insulting a public official (extended thanks to a dust-up with his incompetent lawyer, Dr Blind). Eisenstein’s charming and conniving friend, Dr. Falke convinces him to delay his incarceration for one night to attend a lavish masquerade party hosted by an eccentric “Prince Orlofsky”. Unbeknownst to Eisenstein, “Orlofsky” is a club owner accomplice of Falke’s, and the entire evening is a con, orchestrated as an elaborate prank to exact revenge for a past humiliation where Eisenstein had abandoned a very drunk Falke dressed in a bat costume (Fledermaus is German for Bat and the opera is sometimes called The Revenge of the Bat). Meanwhile, Eisenstein’s wife, Rosalinde, plans to take advantage of her husband’s absence to entertain her lover, the enthralled Alfred. Eisentein’s maid, Adele, is also scheming to attend the party, pretending she needs the night off to visit a sick relative. As Eisenstein leaves for the ball dressed to impress, Alfred arrives to serenade Rosalinde but is mistaken for her husband by Frank, the prison Governor, and is arrested in his place.
ACT II
At Orlofsky’s party, the atmosphere is charged with champagne and intrigue. Eisenstein arrives, under an assumed identity for the night, “Le Marquis de Renard”, unaware that Falke has set a trap to expose his infidelities. Adele, disguised as a glamorous chorus girl, also attends and confounds Eisenstein with her uncanny resemblance to his maid. She also captures the attention of Governor Frank who is posing as a patron of the arts, “Le Chevalier Chagrin”. Rosalinde, invited by Falke, and masked as a mysterious Hungarian countess, arrives to spy on Eisenstein, and entraps him into shamelessly flirting with her in disguise. The guests drink, dance, and toast to the joys of life and love, with Orlofsky and Falke reveling in the chaos. Falke’s plan begins to take shape as he watches the tangled web of disguises and indiscretions unfold. By the end of the night, the characters are dizzy with champagne and deception, unaware of the consequences awaiting them in the morning.
ACT III
The action shifts to the local jail, where chaos reigns under the watch of the hapless jailer, Frosch, and the immensely hungover Frank. Adele and her sister Ida arrive to make good on a drunken promise, to Frank’s mortification. Eisenstein finally arrives to serve his sentence, only to discover Alfred in his place, along with Rosalinde, who reveals her own disguise from the ball. In a fuming confrontation, all the night’s deceptions are exposed. Falke’s grand scheme is revealed to be a playful act of revenge, and the characters, now sobered and contrite, reconcile in true operetta fashion, all is forgiven as they toast to love, laughter, and the joys of champagne












