Catherine designed Monteverdi’s The Return of Ulysses for Opera Collective Ireland at Kilkenny Arts Festival in August. Other recent work includes Girlsong (United Fall), 12 Minute Dances and Totems (Liz Roche Dance Company), Britten’s Owen Wingrave (Opera Collective Ireland & Opera Bastille, Paris), and Handel’s Acis and Galatea (Opera Theatre Company). Her work with the Abbey Theatre includes The Plough and the Stars (Irish Times Theatre Award nomination 2017), Oedipus, Bastard Amber (a joint production with Liz Roche Dance Company), Our Few and Evil Days, (Irish Times Theatre Award nomination 2015), Aristocrats, Quietly, The Government Inspector, Macbeth, The Playboy of the Western World, Saved, Doubt, Doldrum Bay, Henry IV Part I (Irish Times/ESB Theatre Award nomination 2007); On Such As We and Chair (Operating Theatre). Neither Either, Body and Forgetting and Fast Portraits (Liz Roche Dance Company), Romeo and Juliet (Gate Theatre) (Irish Times Theatre Award nomination 2016), The Threepenny Opera (Gate Theatre). Breaking Dad (Landmark Productions, an Irish Times Theatre Award nomination 2015), Tundra (Emma Martin Dance), DOGS (Emma Martin Dance, Winner Best Production and Best Design for ABSOLUT Fringe Festival 2012).